
Transformations and Mutants in Film & TV
Patrick Tatopaulous - Underworld Creature Designer
Seven Chris Walas Transformations Transformation scenes were really something to gawk at in the '80s. The Howling Cat People, An American Werewolf in London, The Beast Within, and many other movies featured the latest special makeup FX technology to turn hapless umans into frightening beasts right on camera, with few if any cuts or dis olves. Since then, the computer has risen as the primary tool in many transfor mation scenes, morphing" actors into creatures seamlessly and almost ffortlessly. But even if this burgeoning technology has superseded the lengthy, bladderpacked, latex-ripping FX spectacles of the past, 1986's The FTy still stands out as the ultimate metamorphosis movie. Directed by David Cronenberg and a remake in name only of the 1958 movie of the same name, The Fly achieved new levels of man-into-monster Fx, brack- eted by an emotional story of one man's loss of humanity. The film won makeup Fx creator Chris Walas an Academy Award in 1987. It became a cooperative effort," recalls Walas of the film's genesis. The fo one-year-old designer's Marin County-based company, Chris Walas, Inc., has gained notoriety on such movies as Gremlins, Enemy Mine, Cronenberg's Na Lunch, Ghost, Arachnophobia, and virtuosity. "I broke the script down, saying, I think there's got to be five stages of makeup. And then we're gonna have to just get rid of the actor [Jeff Goldblum] and move on to a puppet for the last sequence." It was everyone's intent to try and keep the actor in the role as long as possible, because you can get a lot more out of an actor than you can from a rub- ber puppet. So it was very tough finding an avenue, visually, that would allow that. "Our initial designs were very biologically oriented, b they were sort of sym metrical, logical progressions," Walas continues. "It was David who came in and "No, you gotta at it disease, as in there really twisting and not balanced out. That was a real good inspiration. We and turning, back, and just kind of ran to a medical library and brought a few disease books spent a half hour getting sick to our stomachs
113 Chris Walas
Timpone, A. (1996) Men, makeup, and monsters





Cronenberg,D (1986) The Fly
Wynorski, J. (1995) The Wasp Woman.
I chose to look at these two films, they are particularly interesting to compare as they are both transformations of the human hybrid.
Instantly the male, Jeff Goldblum is disgusting as he holds uncanny features such as the pus excrement. Whereas Jennifer Rubin, is a highly sexualised insect, which is completely anatomically incorrect.
Natali, V. (2007) Splice [Film] Canada: Gaumont.
This hybrid was unique and strangely attractive. Her face was perfectly symmetrical, unlike humans, however her flesh and emotions were human. She had a hybrid body crossed between human and animal. In the film there is in fact a sexual scene where quite obviously the male is interested in her regardless of her body.
Harlin, R. (1988) Nightmare On Elm Street 4: The Dream Master
Nightmare On Elm Street
We see her grow extra limbs, it quickly develops and shapeshifts completely, leaving her unrecognisable. This is a disgusting traansofrmation as the extra limbs which are not recognised as her own, grow and disfigure her body.
Weitz, C. (2009) Twilight: New Moon [Film] USA: Maverick Films
This clip shows the CGI werewolves used in New Moon